A look at art…

After a delightful stroll along the Southbank of the Brisbane River and lunch in one of the many restaurants I head to the Art Gallery.

The first gallery room showcased Aboriginal art. I am fascinated by the structure and design, and overwhelmed by the size and precise placing of the dots and crisscross patterns.

I stood for quite a while in front of this large painting. I wasn’t the only person finding it photo worthy.

I took a closer look and marvelled at the precise placement of the thousands of carefully placed dots that join into a seamless flowing of rippling water.

Look closer. It has a hypnotic, three dimensional appearance.

The tiny dots are so incredibly perfect, I wonder at the time and intense concentration needed to create this masterpiece. I am always pleased when galleries put background detail of the work.

I move on to another type of Aboriginal art. Again the canvas is large and the work very detailed and precise.

A gallery guide is giving an insight into the meaning of these works of art. This one is a story of a traditional ceremony. Again I look closely and am amazed at the delicate crisscrossing of lines, known as rarrk, every one perfectly placed. The colours used are the rich earthy tones of the land.

There were many more traditional paintings to admire but the final painting in this gallery is quite different. My eyes were drawn again and again to this shadowy, mystical image.

Moving into the next gallery it is a visual change from the norm. The walls have been painted to be part of the overall exhibition. I find it quite confronting to start with. But then, as I wander round, the background walls seem to enhance the paintings.

Women feature in all these paintings.

The next gallery, again, has boldly painted walls.

Then turning into the next gallery I am confronted with this…

A life-size, dead elephant…

Well, what do you think? I marvel at a person’s mind that would think of this. Then the actual creation of the form of the elephant, but then to stick thousands of tiny “bindis” all over the form. I had to look closer…

Jack says “that looks like thousands of sperm swimming for their life”…

Ok!!! Time for a coffee…

But the day is not over yet. The next post I will take you for a stroll through the Botanic Gardens and a ferry ride…

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Lingering Look at Windows : Sydney Art Gallery

When visiting new places there are some places that top my list of “must visit” and art galleries are right up there at the top of the list.

So on the first day in Sydney we made a bee line, across the botanic gardens, via St Mary’s Cathedral (more of those later) and into the Art Gallery of New South Wales.

Apart from appreciating the magnificent and varied paintings I also noticed the many windows.

Dawn of “The Day After” is responsible for my obsession with windows as she runs a challenge each week for us to showcase windows we find.

So here they are….

The soaring ceilings, those windows let in lots of light

The classically elegant Art Gallery of NSW is one of Sydney’s most distinctive landmarks. The façade and old wing of the Gallery were built between 1896 and 1909. Architecturally, the building reflects 19th-century ideas about the cultural role of a gallery as a temple to art and civilising values. Yet early designs for the Gallery were less confident about the institution’s role and image. The present building is the work of government architect Walter Liberty Vernon, who secured the prestigious commission over the less conventional architect John Horbury Hunt.

The story of building the Gallery reads like a sensational novel. All the elements – intrigue, personal animosity and nepotism – are present. That the institution acquired such a fine historic building is almost fortuitous. (click here to read more)

Interesting installation with sky lights to shine on it.

Look outside and see the gardeners

The views through the windows are also works of art, and the windows are scattered all over the building in corners. They fascinated me.

Walking past the multiple windows

Looking through to other windows.

Preparing the restaurant for lunch

Looking through windows into the restaurant then through the other windows to the outside

The restaurant fascinated me as it had windows looking in from the gallery and windows looking out to the interesting view. A window watchers delight…

This gallery showcased an exhibition of still life art hanging on the walls, and this sculpture of still life dominated the centre of the room, but look at those windows at the back of the room.

An interesting wall with an installation of reflective windows

It stretched over the stairwell of 3 floors

Look at the interesting reflections

Of course it is also a great place for people watching…

Finally, nothing to do with windows, but I will share with you one of my favourite work of art. For me this painting brings back memories of my days in New Zealand when I milked cows. I am constantly amazed that, as long as you do not use flash or a tripod, you can take photographs of the art work.

 Spring Frost. Elioth Gruner

Awarded the Wynne Prize in 1919 and painted the same year as Roland Wakelin’s and Roy de Maistre’s experiments in colour harmony, ‘Spring frost’ is one of Elioth Gruner’s most critically acclaimed achievements. With its impeccable sense of light and tone, and its vigorous foreground brushwork, ‘Spring frost’ is a tour de force, and perhaps the most loved Australian landscape painting in the Gallery.

Elioth Gruner painted ‘Spring frost’ according to 19th-century plein-air conventions, but the work also demonstrates a contemporary succinctness of form. To complete the painting – one of his largest compositions – en plein air, Gruner built a structure to protect the canvas from the weather, and wrapped his legs with chaff bags to avoid frostbite. Although painted largely outdoors at Emu Plains, its large size and somewhat theatrical quality make it likely that Gruner completed parts of it later, in his city studio.